Two worlds are accidentally linked and must work together to prevent destruction. A two-player VR co-op where communication and trust reveal the truth behind the parallax.
Composer Reel 2026:
Selected Audiovisual Projects:
A subtle drama exploring the quiet weight of unfulfilled expectations. The minimalist score reflects realization that it might already be too late.
A quiet collapse between love and monstrosity. Shot in Berlin, with sound design and music created in collaboration with LeChatelier.
Sakuko and Sakuka navigate the bizarre landscape hidden beneath the skin. An experimental short film demanding a highly unconventional and immersive musical approach.
Navigating the shadows of a haunted history to find the guiding light of a daughter’s love. Created for L’Idem Animation School, with music and sound design co-authored alongside Lidia Grau.
An interwoven story proving that in the wrong circumstances, disaster is inevitable. The tension and breakneck pace of the film are accompanied by a propulsive, high-octane soundtrack.
Presented at Cinemas Girona, Barcelona.
A slow-burning exploration of young motherhood and the bond with a daughter. Music and sound design for Blai Garó’s debut short film.
Presented at Espai Texas, Barcelona.
Vivi falls in love with the Sun. Created in collaboration with María Blázquez, with sound design and music woven together with the visual narrative—assembled from found footage, collage, and home videos.
Two worlds are accidentally linked and must work together to prevent destruction. A two-player VR co-op where communication and trust reveal the truth behind the parallax.
Presented at Cinekid Festival Amsterdam.
Composed for ensemble and tape, this alternative soundtrack offers a new interpretation of Henri Plaat’s enigmatic short film—a meditation on abandonment, transformation, and fragility.
Premiered by the Ensemble Academy at the Student Present Festival 2025, Royal Conservatoire of The Hague.
Ensemble members:
Oboe: Zoë Loxley
Horn: José Luis Martínez
Clarinet: Mariëtte Koens
Saxophone: Alex Designori
Bassoon: Ramón Alejandro Márquez
Viola: Wilker Paredes
Cello: Katia Milano
Vibraphone: João Pedro Borralho
Piano and assistant composer: Javier Hombría
Baqueta, a beaver, carries a small drum. His rhythms affect the world around him. Each beat can be a tool, a weapon, a way forward… Sound design and music composed for Ángel Torijano’s video game.
How Much Is It Worth? Sound recording, sound design, and music composition for this drama/comedy about the complications of receiving a 500€ bill.
Presented at Kijkhuis Leiden.
One always returns to where they were happy. Sountrack composition for the directorial debut of Héctor Fernández, a short film about ghosts, love, and loss.
Presented at Casal Jove del Puerto de Sagunto, Valencia.
This is an expansion of the original short’s siren loop into a soundscape of shifting repetitions, with each iteration evolving, distorting, and unraveling. Originally created in Dolby Atmos 7.1.4. A 5.1 downmix can be heard in this link.
A delicate and intimate story about generational gaps. Original music for María Cotobal’s short film, also contributing to the sound mixing and production of two songs featured by artist Soosie.
A composition exercise exploring various musical styles for Maya Deren’s film.
Once upon a time there was a vase that gleamed beneath the waters of a lake, that no one could ever manage to retrieve. First collaboration with María Blázquez. Soundtrack for virtual chamber orchestra, guitar, piano, and harp.
presented at Certamen Arte Joven de Castilla y León 2023.
Techno, flamenco, and the essence of rural Spain. The soundtrack weaves together echoes of identity, resistance, and self-discovery for Daniel Solaguren’s short film.
Presented at BARCIFF 2022.
Performing Arts and Sound Installations:
A dynamic and vibrant street theatre piece about migration. Centered around a giant car overflowing with suitcases, the music drives the pace of its eclectic cast.
Presented at Fira Tàrrega 2026.
A deeply conceptual theatre play exploring escapism, alienation, and the blurred lines of memory around a mysterious lake. The soundtrack is built around David Bowie’s “Space Oddity”.
Presented at Heartbreak Hotel, Barcelona.
A project about gentrification, based on the one presented at BASS (Barcelona Arts Summer School), titled Nameless Cities. Created in collaboration with Inés Rivera, Elena Papakonstantinou, M. Teresa Valdés, Fiene Dettenborn and Amalia Casamitjana.
Presented at XIV Mostra Sonora i Visual 2025 – Biennal d’Art Emergent.
Instructions: quiet!
A project about gentrification developed during the 2 weeks of BASS (Barcelona Arts Summer School)
A collaborative project featuring oboe, classical guitar, jazz drums, and a contemporary dancer, in which Pablo worked on arranging Spanish classical pieces by Manuel de Falla and Francisco Tárrega. This reinterpretation aimed to integrate these multiple disciplines, combining live electronics and the production of a fixed tape to create a fusion of tradition and modernity.
Commercial Work:
A commercial spot celebrating innovation for the health-tech company Biorce. Managed the entire audio pipeline, delivering on-set sound recording, original music composition, and full audio post-production.
A fashion film showcasing the work of designer Cèlia Giné. The narrative and the score journey through three atmospheric settings rooted in the mythology of a popular legend from Reus.
Not the usual audio logo you are used to hearing in a cinema. Many thanks to Cinema Truffaut in Girona for their trust and creative freedom on this project.